1 10 778 https://www.teaching.jerielizabeth.me/dighum100/files/original/f6525637707f41f28b298449808c2ffa.jpg a09e8e307ddbcfc803da7574c01fc28f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barn and Tree Creator An entity primarily responsible for making the resource Alston, Charles Henry, 1907-1977 Date A point or period of time associated with an event in the lifecycle of the resource 1940 1940.0 Subject The topic of the resource African Americans | Barns | Trees | Farms still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.001.7 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 9.2 x 12 in.; on board: 11.9 x 16.8 | 1 print Lithographs 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179776&t=g http://digitalcollections.nypl.org/items/a4856db0-d568-0131-aa19-58d385a7bbd0 https://www.teaching.jerielizabeth.me/dighum100/files/original/6a2c42b1e00ee64a83c0e98128261a28.jpg b326e0a44962737127e4cb51878f20cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barn and Broken Down Silo Creator An entity primarily responsible for making the resource Alston, Charles Henry, 1907-1977 Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Barns | Silos | Farms still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.001.10 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 15 x 10.8 in.; on board: 17 x 20.6 in. | 1 print Lithographs 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179777&t=g http://digitalcollections.nypl.org/items/afd64840-d568-0131-6789-58d385a7bbd0 https://www.teaching.jerielizabeth.me/dighum100/files/original/ce37de08fbba160f7fe9c3e859ea64b1.jpg 2aec22dd1bdeb9476e9af843c479fa9c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stud Poker Creator An entity primarily responsible for making the resource Alston, Charles Henry, 1907-1977 Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Poker | African American men | Games still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.001.8 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image 12.5 x 16 in.; on paper 16 x 22.75 in. Lithographs 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179631&t=g http://digitalcollections.nypl.org/items/b09cc130-d568-0131-5f76-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harlem Street Scene Creator An entity primarily responsible for making the resource Alston, Charles Henry, 1907-1977 Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Streets | Drugstores | Children | Winter still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.133 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 13 x 18 in.; on paper: 14.75 x 19.75 in. | 1 print Lithographs 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179792&t=g http://digitalcollections.nypl.org/items/ed777e60-d568-0131-7b0f-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Who Likes War Creator An entity primarily responsible for making the resource Alston, Charles Henry, 1907-1977 Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | War | Death | Skeleton | Skull still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.001.6 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 6.5 x 7.25 in.; on paper: 17 x 13 in. | 1 print Relief prints 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179775&t=g http://digitalcollections.nypl.org/items/ca831d10-fbb8-0131-05a9-58d385a7bbd0 https://www.teaching.jerielizabeth.me/dighum100/files/original/b8ce195863b81cffd358f29c5b19e7a1.jpg 20a5ba5c0fea19f0f4da39cc46f3571b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stay PAW-sitive! Subject The topic of the resource Daisy Jean Williams (Cat) Description An account of the resource Happy Cat and Book (Daily Positive Quotations) Creator An entity primarily responsible for making the resource Aubrey Williams Source A related resource from which the described resource is derived Photograph Publisher An entity responsible for making the resource available Aubrey Williams Date A point or period of time associated with an event in the lifecycle of the resource January 3, 2017 Contributor An entity responsible for making contributions to the resource Aubrey Willaims Format The file format, physical medium, or dimensions of the resource jpg Type The nature or genre of the resource Cat Picture Identifier An unambiguous reference to the resource within a given context Happycat010318 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gladys Creator An entity primarily responsible for making the resource Barnet, Will, 1911-2012 Date A point or period of time associated with an event in the lifecycle of the resource 1936 1936.0 Subject The topic of the resource African Americans | Portraits | African American women still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.080 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 14.75 x 10 in.; on paper: 21.5 x 16 in. | 1 print Lithographs 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179795&t=g http://digitalcollections.nypl.org/items/f3b13430-d568-0131-5731-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alleyne Creator An entity primarily responsible for making the resource Borne, Mortimer (1900-1987) Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Portraits | African American women still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.005 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 8 x 5.8 in.; on paper: 16 x 11.5 in. | 1 print Etchings 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179627&t=g http://digitalcollections.nypl.org/items/591dccf0-e422-0131-4c35-58d385a7b928 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lighthouse Creator An entity primarily responsible for making the resource Botts, Hugh (1903-1964) Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Ocean | Boats | Lighthouses | Clouds | Cliffs | African American men still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.006 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 8.8 x 11 in.; on paper: 11.5 x 16 in. | 1 print Lithographs 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5180605&t=g http://digitalcollections.nypl.org/items/f91aa2d0-d568-0131-c8a3-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Savoy Creator An entity primarily responsible for making the resource Brandfield, Dayton (1911-1993) Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Dance | Ballrooms | Nightclubs | Jazz still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.007 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 11 x 13.75 in.; on paper: 16 x 19 in. | 1 print Lithographs 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5180606&t=g http://digitalcollections.nypl.org/items/fa0998d0-d568-0131-faa8-58d385a7bbd0