8 10 778 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource WPA Rhythm Band Creator An entity primarily responsible for making the resource Olds, Elizabeth, 1896-1991 Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Music | Brass bands | Jazz still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.032.1 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 9.8 x 14 in.; on paper: 11.25 x 15.2 in. | 1 print Lithographs 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5180673&t=g http://digitalcollections.nypl.org/items/de6be570-fe46-0131-5cb6-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harlem WPA Street Dance Creator An entity primarily responsible for making the resource Olds, Elizabeth, 1896-1991 Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Dance still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.032.2 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 9.75 x 13.5 in.; on paper: 11.4 x 15.8 in. | 1 print Lithographs 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5180674&t=g http://digitalcollections.nypl.org/items/6c8ca330-fe47-0131-d007-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two Boys Creator An entity primarily responsible for making the resource Olds, Elizabeth, 1896-1991 Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Children | Portraits still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PA.X.031 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image on paper: 13.6 x 20 in. | 1 print Painting 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179322&t=g http://digitalcollections.nypl.org/items/31f4ec10-ff11-0131-ea20-58d385a7b928 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Washington Carver Creator An entity primarily responsible for making the resource Panesis, Nicholas (1913-1967) | Carver, George Washington, 1864?-1943 Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Science | Botany | Scientists, Black still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.033.2 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 10.4 x 8.75 in.; on paper: 15.2 x 11.5 in. | 1 print Lithographs 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179594&t=g http://digitalcollections.nypl.org/items/e0ea2050-d568-0131-001f-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inland, Porto Rico Creator An entity primarily responsible for making the resource Potter, Albert (1903-1937) Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource Bananas | Banana growers still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.086 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 8.1 x 10 in.; on board: 16 x 20 in. | 1 print Blockprints 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179161&t=g http://digitalcollections.nypl.org/items/e2acd200-d568-0131-f1f0-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource South Creator An entity primarily responsible for making the resource Reisman, Philip, 1904-1992 | K K K | Ku Klux Klan (1915- ) Date A point or period of time associated with an event in the lifecycle of the resource 1934 1934.0 Subject The topic of the resource African Americans | Racism | Lynching | Cross burning | White supremacy movements | Hate crimes still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.039 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 11.8 x 8.8 in.; on paper: 11.7 x 18.6 in. | 1 print 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179787&t=g http://digitalcollections.nypl.org/items/fc489fa0-d568-0131-915c-58d385a7bbd0 https://www.teaching.jerielizabeth.me/dighum100/files/original/640790d718b15a48eb62f635a70fec2b.pdf e19d967f7c004bdcd9ddaff639663d3b Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Book Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1918 Yearbook of The Seventh-day Adventist Denomination Subject The topic of the resource Church history Description An account of the resource An account of the business proceedings and anniversary meetings for the denomination which take place on a global stage. Creator An entity primarily responsible for making the resource Review and Herald Publishing Association Washington, D. C. Source A related resource from which the described resource is derived adventistarchives.org Publisher An entity responsible for making the resource available adventistarchives.org Date A point or period of time associated with an event in the lifecycle of the resource 1918 Contributor An entity responsible for making contributions to the resource H. E. ROGERS, Statistical Secretary Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource English Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1917 https://www.teaching.jerielizabeth.me/dighum100/files/original/56c6258b799ade27779672889db81ff6.pdf e19d967f7c004bdcd9ddaff639663d3b Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1918 Year Book of the Seventh-day Adventist Denomination Subject The topic of the resource Church History Description An account of the resource Containing a complete directory of the general conference, all divisions, union and local conferences, mission fields, educational institutions, publishing houses, periodicals, and sanitariums. Also a survey of the field for 1917. Creator An entity primarily responsible for making the resource Review and Herald Publishing Association Source A related resource from which the described resource is derived adventistarchives.org Publisher An entity responsible for making the resource available adventistarchives.org Date A point or period of time associated with an event in the lifecycle of the resource 1918 Relation A related resource The Seventh-day Adventist Year Book 1886 Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context http://documents.adventistarchives.org/Yearbooks/YB1918.pdf Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The North American, European, Asiatic, and South American Division Conferences. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prays' Meetin' Creator An entity primarily responsible for making the resource Reynolds, Lillian Richter, 1916- Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Prayer | Spirituals (Songs) | Religion | Prayer meetings | Christianity still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context DR.X.025.1 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 16.8 x 13.5 in.; on paper: 16.8 x 14.5 in. | 1 print Ink drawings 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179785&t=g http://digitalcollections.nypl.org/items/e55f0130-fbbc-0131-ec3a-58d385a7b928 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Southern Remedy 666 Creator An entity primarily responsible for making the resource Reynolds, Lillian Richter, 1916- Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Stores, Retail | Automobiles | Streets | Wagons still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context DR.X.025.2 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 14.6 x 20.7 in.; on board: 20.9 x 24.8 in. | 1 print Ink drawings 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179783&t=g http://digitalcollections.nypl.org/items/ca81d4b0-fbbd-0131-abe9-58d385a7b928