9 10 778 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spirituals Creator An entity primarily responsible for making the resource Richter, Lillian (1915-) Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Religion | Spirituals (Songs) | Christianity still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.037 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 9.6 x 13.5 in.; on paper: 11.5 x 16 in. | 1 print Lithographs 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179325&t=g http://digitalcollections.nypl.org/items/e54afc20-d568-0131-82b3-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Henry's Mad Creator An entity primarily responsible for making the resource Rico, Dan (1910-1985) Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | John Henry (Legendary character) | Legends | Folklore | Lightning | Storms still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.038.1 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 11 x 8 in.; on paper: 16.5 x 11.5 in. | 1 print Blockprints 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179598&t=g http://digitalcollections.nypl.org/items/e616dc90-d568-0131-3d5f-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Noon Game Creator An entity primarily responsible for making the resource Rico, Dan (1910-1985) Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Card games | Lunch | Work | African American men still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.038.2 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 6 x 8 in.; on paper: 9 x 11.25 in. | 1 print Blockprints 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179599&t=g http://digitalcollections.nypl.org/items/e6f1f730-d568-0131-f8a2-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dancing Creator An entity primarily responsible for making the resource Rudley / Rudeley Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Music | Dance | Parties still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.041 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 4.9 x 6 in.; on paper: 8.75 x 9.75 in. | 1 print 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179789&t=g http://digitalcollections.nypl.org/items/ece0fda0-fbc6-0131-7ef2-58d385a7b928 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Man at Construction Creator An entity primarily responsible for making the resource Rush, Rosa Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Hats | Construction workers | Ladders still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.042 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 11.8 x 14.1 in.; on paper: 16.3 x 18.3 in. | 1 print Woodcuts 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5180920&t=g http://digitalcollections.nypl.org/items/e9030250-fe3c-0131-7dc9-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Abraham Lincoln Creator An entity primarily responsible for making the resource Saint-Amand, H.A. | Lincoln, Abraham, 1809-1865 Date A point or period of time associated with an event in the lifecycle of the resource 1934 1934.0 Subject The topic of the resource African Americans | Presidents still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context DR.91.006 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image 22.25 x 26.4 in.; on paper: 23.2 x 28 in. 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179780&t=g http://digitalcollections.nypl.org/items/25f4f020-fe41-0131-0a39-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource River Scene Creator An entity primarily responsible for making the resource Sanderson, Katherine Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Rivers | Factories | Sailboats | Smokestacks still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.043 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 10.5 x 12 in.; on paper: 12.5 x 17.2 in. | 1 print Relief prints 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5180918&t=g http://digitalcollections.nypl.org/items/d750cd10-fbec-0131-fb55-58d385a7b928 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woman in the Kitchen Creator An entity primarily responsible for making the resource Schardt, Bernard P. (1904-1979) Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Cooking | Potato peeling | African American women still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.045.1 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 15.5 x 13.75 in.; on paper: 19.125 x 16.5 in. | 1 print Woodcuts 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179796&t=g http://digitalcollections.nypl.org/items/e89c87f0-d568-0131-0e0d-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works Progress Subject The topic of the resource Etching and lithography still images. Description An account of the resource The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Schomburg Center for Research in Black Culture, Art and Artifacts Division Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Date A point or period of time associated with an event in the lifecycle of the resource 1935-1943 Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Accession number: PR numbers Universal Unique Identifier (UUID): ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yellow Rocker Creator An entity primarily responsible for making the resource Schardt, Bernard P. (1904-1979) Date A point or period of time associated with an event in the lifecycle of the resource 1935 1935.0 Subject The topic of the resource African Americans | Rocking chairs | Knitting | Living rooms | Stoves | Rugs | African American women still image Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context PR.X.045.2 ab394b60-d4bc-0131-8bd5-58d385a7bbd0 Description An account of the resource Image: 11.75 x 14 in.; on paper: 15.5 x 17.75 in. | 1 print Woodcuts 1 Publisher An entity responsible for making the resource available Works Progress Administration (WPA) Art Works Progress Administration (WPA) Art Source A related resource from which the described resource is derived http://images.nypl.org/index.php?id=5179797&t=g http://digitalcollections.nypl.org/items/1ca8d460-fbce-0131-b529-58d385a7bbd0 https://www.teaching.jerielizabeth.me/dighum100/files/original/b48c4eb99100776e09b9652dcc62e09f.pdf dab32a84beb6ae557df295cf0b18dfc7 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Book Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Seventh-day Adventist Year Book 1886 Subject The topic of the resource Church history Description An account of the resource Containing statistics of the general conference and other organizations of the denomination, with the business proceedings of the Anniversary Meetings held at Battle Creek Michigan, Nov. 18 to December 6, 1885 Creator An entity primarily responsible for making the resource Seventh-day Adventist Publishing Association Source A related resource from which the described resource is derived adventistarchives.org Publisher An entity responsible for making the resource available adventistarchives.org Date A point or period of time associated with an event in the lifecycle of the resource 1886 Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context http://documents.adventistarchives.org/Yearbooks/YB1886.pdf Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States Nineteenth Century 1885